Kristen sat down with reporters for a Round-Table interview in early November in Los Angeles. This is a transcript from AwardsDaily.
On her character Marylou:
I really had to dig pretty deep to find it in me to play a person like that. It took a long time. I couldn’t say no. I would’ve done anything on the movie. I would’ve followed the movie in a caravan had I not had a job in it. I was like 14 or 15 when I read the book for the first time and 16 or 17 when I spoke to Walter for the first time. It was easy to connect the dots after having really gotten to know the person behind the character and what you would need to pull off a lifestyle like that. That didn’t happen until deep in the rehearsal process. At first I was just attracted to the spirit of it. I’m the type of person who needs to be pushed really hard to be able to let it all hang. I think that Marylou is the type of person you can’t help but be yourself around because she’s so unabashedly there and present all the time, like this bottomless pit of really generous empathy. It’s a really rare quality that makes you capable of living a really full, a really rich life without it taking something from you. You couldn’t take from her. She was always getting something back. She’s amazing.
On LuAnne Henderson:
I think that LuAnne would’ve been ahead of her time now. I think generally people’s expectations for their lives are in a personal way not all that different. It’s a really fundamental thing to want to be a part of a group. We are pack animals. In a way she had very conventional ideals as well. She had this capacity to live many lives that didn’t necessarily mess with the other. She was ultimately not above emotion. She was above jealousy, but not above feeling hurt. She felt hurt but not slighted.
Maybe if this movie was made back in the day as opposed to now, people would be shocked by the sex and the drugs and they would actually miss what the movie is about. Whereas now we’ve just seen a little bit more of it so it’s not shocking to stomach. It’s easier to take. I mean, sure, times have changed, but people don’t change. That’s why the book’s never been irrelevant. There will always be people that want to push a little bit harder and there are repercussions. Knowing what happens to all the characters afterwards is really interesting. She knew Neal to the end of his life and they always shared what they had. They never left their hearts even though their lives changed monumentally.
On whether On the Road is appropriate for Twilight fans:
I think that probably depends on your parents. I read On the Road when I was 14. My parents never really wanted to shelter me from the world that we live in so I think that I’m probably not the right person to ask (laughs).
On the importance of being on the road:
When you can literally Google anything and see it, you feel like you don’t have to go see it in person. You can do a lot of travelling in your bedroom, but you’re not touching anything. You’re not feeling it.
On doing her first nude scenes and how her parents handled it:
I think everyone was really happy that it took a few years for the movie to get made (laughs). My mom came to Cannes. She loved it. She was really proud. I haven’t talked to my dad about it yet (laughs).
‘Welcome to the Rileys’ was probably a more difficult movie for a parent to watch. I was so sensitive after that. That character really found its way into me. I was so overtly sensitive about anything, not just overtly sexual, but anything about a young girl. It just rocked me and I think my parents could probably feel that as well. So it was just not something that we engaged or talked about.
It’s hard to step outside of it. I know it’s funny to talk about it from an outsider’s perspective, like “Oh, it must be weird to sit down and watch your ass with your mom” or whatever, but it’s so weird being on the inside of it. I genuinely don’t feel like… I don’t want to say that I’m watching another person at all because what I love about my job is aspects of life that you relate to but you didn’t quite know you had in you can shock the shit out of you and so the process of making the movie is finding out why you responded that way. So, I don’t feel like you’re every playing a different person, but you’re taking care of another person and you have such a responsibility to that person. It’s easy to be mature about it. It’s easy to place it in a context and feel protective of it.
Advice for young actors who might be starting out in a major franchise like Twilight:
You’d better love it or don’t do it. To be on one project for 5 years, I have the exact same feeling that I had when I first started it. The only difference is that now finally I have that weight lifted, but I want it back. I don’t have to worry about Bella anymore, but I’m like “Really? It’s so weird. Where is it? She’s not like tapping me on the shoulder anymore.” So, yeah. I would say “love it.”
You can read the full article at Awards Daily
More from the interview:
Because getting comfortable with the intensity of some of the physical scenes between the two of you, just so that you could do those scenes yourself, were there teams of managers and agents debating whether you should do it or not?
HEDLUND: No. The torture for them wasn’t having to accept the fact that your ass would be out for anybody to see, but with the internet, it will never go away. But, it wasn’t really that. It was the fact that for two or three years, I was saying no to everything that came across the table, and they were just like, “All right, you go off and do that film. I hope Mr. Salles is happy. Where have you been for the last three fucking years?” That was the only thing. Agents and managers despise passion projects sometimes.
Did you talk to you parents about the nudity in this film, before they saw it?
HEDLUND: My mom and sister watched it next to me.
STEWART: Yeah, that was really an interesting experience.
HEDLUND: There were a lot of laughs. I don’t know if that was a good thing or a bad thing. I don’t know if the laughs were out of nervousness or because the actual text was really that humorous.
How old do you think a younger Twilight fan should be, before they see On the Road?
HEDLUND: I think the rating limits that a little bit.
STEWART: I think the actual law is that, if you are with a parent, you can go and see an R-rated movie, if you’re over the age of 13. I guess it depends on who your parents are and who you are. I read On the Road when I was 14, so I don’t know. My parents never wanted to shelter me from the world that we live in, so I’m probably not the right person to ask. I think, if you have a desire to see it and your parents don’t want you to see it, then take that bull by the horns.
Are conversations with people who are passionate fans of this book radically different from the passionate fans of the Twilight franchise?
STEWART: I don’t get to have very many involved conversations with Twilight fans. It’s really rare. Sometimes the girls that run the fan sites will come in and do an interview, and I absolutely love doing that. But, I find that a lot of people I talk to, and most journalists that I sit down with, are huge On the Road fans. I feel that they’re even assigned to those stories because they have an interest in it. I’ve gotten to talk to a lot of passionate On the Road fans. The difference is that there’s a lot to feel in Twilight, and that’s usually my experience, having individual exchanges with those fans. You just feel it. But with On the Road, there’s a lot to talk about.
You guys had the opportunity to travel to a lot of remote and interesting areas for this film. Which location was your favorite?
HEDLUND: I don’t know. They were all kind of unique. Mexico was amazing. Because we were on such a move, right off the bat, in late summer and fall, Montreal was really beautiful with all of the cobblestones and everything. And then, we got to catch the snow, in the winter of Chile, and then book it down to Argentina and head over to Patagonia and up into No Man’s Land. We got to drive the Hudson through blizzards, in the mountains of Chile, for just three days while we were staying at this bed and breakfast on a lake that always had fog over it.
STEWART: It’s crazy to hear that it was just two or three days because, in my head, it was a huge chunk of time.
HEDLUND: And then, New Orleans was incredible, as well. We went out to the Bayou, and that was special.
STEWART: Just being in the city there was amazing.
Now that the Twilight franchise has ended, what advice would you give to other young actors who might be starting a major movie franchise?
STEWART: You better love it, or don’t do it. To be on one project for five years, I had the exact same feeling at the end that I had when I first started the project. The only difference is that now, at this point, I have that weight lifted and I want it back. I don’t have to worry about Bella anymore, which is so weird. She’s not like tapping me on the shoulder anymore.